Canon lenses, which one is best?

Amateur

The obvious priority of the amateur will be, for sure, to completely master his/her budget, while keeping in mind that wildlife photo requires a large focal length.

So, at Canon, there is no doubt about the lens to select; This will be the famous 100-400mm f/4-5,6 L IS USM. After all, for a price somewhat reasonable (taking into account the maximum focal length of 400mm), it is a good lens. Not perfect (it does not have the quality of the prime tele-lenses from the same brand and the maximum aperture has nothing to impress while still compatible with auto-focus), but terribly powerful (the focal length variation is done just by pushing the “pump“).

photo credit: damir.ME

I should also say that this the zoom that its owners love to hate. There are some real issues, but they can be handled:

• The useful “pump” earns its name when working in a dusty environment. The sensor will be copiously dusted even without removing the lens from the body.
• The stabilization is using Canon’s first generation technology. It would be good to upgrade it now. But Canon does not seem to be ready to prepare a version II yet.
• This is all the more annoying because this stabilization has the bad reputation of breaking down (too?) often. And Canon, considering that this is a wearing part, excludes it from the warranty and will charge more than 400€ for repair.
• Last but not least, this 100-400mm also has the bad fame of being subject to sample variation in quality. Some go to the extreme of recommending not to buy it online without a return warranty.

All in all, this is not a surprise that this lens is so frequently present in safari cars and in bird hideouts.

In order to provide an SLR body up to the task, I would suggest the Canon EOS 60D (rather than the Canon EOS 550D) for its reactivity, its well contained price and its weather resistance always needed for outside operation. Moreover, the 18MP sensor will be perfect to support significant re-framing without too much quality loss.

As you will also take some time to do some landscaping, put a 24-105mm f/4 IS USM in your bag. It will ideally complement the tele-zoom in terms of focal length and it has a nice price.

Enthusiast

However, the expert photographer will not be satisfied with the quality of the 100-400mm (it shows its limits on the EOS 7D). He/she will look at the prime lenses. Canon has a superb offering but you need to have very deep pockets and strong shoulders to haul most of the L-series gear. Otherwise, there are some possibilities to check thoroughly, tele-lenses that are no longer in the news but which kept there excellent image performance.

Canon prime lenses: 300mm / 400mm

In order to keep a good coverage, I recommend to select the 300mm f/4 L IS USM and the 400mm f/5,6 L USM. These two lenses are often ignored (the 400mm because it does not have the image stabilization) but they have optimal quality). Their maximum aperture is nothing great but this won’t be an issue with the high sensitivity of today’s sensors. Moreover, they can accept the x1.4 focal multiplier (The focal doubler from Canon will be left alone because it degrades images too much).

Now, about the body, Canon has exactly what you need to power these tele-lenses: The Canon EOS 7D. It brought a clear progress for auto-focus and continuous shooting to a range that was in dire need compared to Nikon’s most recent offering. Its ability to produce good pictures at ISO 1600 will be appreciated to compensate for the limited aperture of the selected tele-lens primes.

The only thing left is to complement this with shorter focal length. The excellent 70-200mm f/2.8 IS II USM cannot be beaten. And we will add the nice EF-S 17-55mm f/2.8 IS USM which, while not part of the L series has the needed definition to correctly feed the strong needs of the Canon EOS 7D sensor.

There’s more: The advantage of slightly old tele-lenses is that they are relatively easy to find on the second-hand market (for example on eBay). This will reduce the tab too; It was already climbing quite high.

Pro

Now, we need to go from tabs to major invoices. The pro photographer has requirements widely over the limits of most wallets, even the more enthusiast ones. If you don’t want to be frightened here, you should no longer look at the prices: Most people will buy a car for the kind of prices we are going to reach to equip a pro wildlife photographer, but we cannot be greedy if we need top quality.

Canon L-series tele-lenses are at the top of the shopping list. First and foremost, the 300mm f/2,8 L IS USM is king here. It has been considered by most reviewers as simply the best lens ever. The price is scary but the weight is also frightening: 2.55 kg / 5.6 lb. Its successor is coming around the beginning of 2011, with a slightly lower weight but the cost will climb toward 7000€.

It will probably be associated to a superb 500mm f/4 L IS USM, despite being even heavier and more expensive; But you will feel like Michel and Christine Denis-Huot when they wander on the Masai Mara plains in Kenya.

The recommended body will also be a Canon EOS 7D (Yes! It has seduced many pros including those mentioned above). But if you are attracted to large sensors, a Canon EOS 5D MkII will add very pro video capture.

As before, the tele-lenses will be complemented with the 70-200mm f/2,8 L IS USM and EF-S 17-55mm f/2.8 IS USM.

Cross-Section of the EF 24-70mm f/2.8L USM

But, if you went the Full Frame way, you’ll need some changes. To start with, the 17-55mm wide-angle zoom does not cover the field of the large sensor, it will be replaced with a EF 24-70mm f/2.8L USM. Then, if you don’t want to compromise quality with a x1.4 focal multier, the 300mm and 500mm will probably be replaced with a 400mm f/2,8 L IS USM and a 600mm f/4 L IS USM. But the weight is becoming really astounding (prohibitive?) and the tripod is now unavoidable.

Conclusion

It is easy to admit that the choice offered by the lens offering from Canon is impressive and this explains how anybody can find what they want, what they need, what they can pay.

What seems pretty simple could well be a revolution for those who loose too easily the position of this dial and find themselves shooting in a mode very different from those they expected (personally, on a Sony A700, I shot quite a number of pictures, unwillingly in manual or sunset mode…)

Price is still unknown but probably a little over $100 or 100€. Whenever it will come to Europe.

Canon EOS 7D

Canon EOS 7D Firmware Update Version 1.2.3

• Fixes a phenomenon in which the settings of the Speedlite Transmitter ST-E2 revert to the default settings when both the camera and the ST-E2 are set to auto power off.
• Fixes a phenomenon in which the Macro Ring Lite (MR-14EX, MT24-EX) and slave flashes do not sync while shooting wirelessly.

Download Firmware Update Version 1.2.3

Canon EOS Rebel T2i / 550D Firmware Update Version 1.0.9

• Fixes a phenomenon in which tone jumps become noticeable in some images, depending on the shooting scene, when shooting with the Auto Lighting Optimizer settings (Low / Standard / Strong).

Download Firmware Update Version 1.0.9

Canon EOS 60D

If you are ready to buy your camera gear in the USA (or if you live there), you may want to take advantage of the Canon offers and Canon rebates from B&H, our partner in New York City. Starting with offers on the all-new Canon EOS 60D (already available):

• Canon EOS 60D DSLR Camera (body)
• Canon EOS 60D DSLR Camera Kit with Canon EF-S 18-135mm Lens
• Canon Instant Rebates on DSLR & Kits

Main features:

• Fixes a phenomenon in which the set aperture moves when shooting movies in manual exposure mode using some Canon lenses (such as macro lenses).
• Fixes the AF point-selection behavior of the C.Fn III-7 (Manual AF pt. selec. pattern) custom function when set to [1].
• Fixes the AF point display for the viewfinder electronic level when shooting in the vertical position.
• Corrects misspellings in the Spanish and Thai menus for applicable products.

Firmware Downloads from the Canon (Japan) web site: Canon EOS 7D firmware.

• Instructions in Japanese
• Instructions in English

Canon 60D mockup (source: www.fetdigitaal.nl)

Even for Canon, next September will see the Photokina show in Koln (Germany). It is often the occasion when brands of photo manufacturers launch the photo cameras they expect will be doing the big sales of the end of the year (a period that is really good for the amateur photography market). This year should not be any kind of exception and Canon has several cards to draw. So, I will not fail to try my hand at a few previsions from the information I got (sometimes they are incoherent, but they are often consistent when they reach my mailbox). The real difficulty for Canon predictions comes from the lack of precision of the current rumours.

To start with something really obvious, it is no longer possible to sort out rumour and fact about the Canon EOS 60D. At the beating heart of the EOS range of D-SLR cameras, the Canon EOS 50D has long been waiting its replacement (The 50D was launched at the end of 2008!). However, the launch of the Canon EOS 7D let think that this xxD series was at its end. But with time, rumours about an upcoming EOS 60D did not stop. Since the EOS 7D is also reaching a 5 quarters availability, it is possible to imagine that time has come to see either one or both replaced. And, consequently, most of the rumours are only that: Rumours… only based upon the wishes of their authors.

To give you a hint at what this new camera could be, here are possible features:

• 18 MP digital sensor
• Sensitivity: ISO 100-6400
• Continuous shooting at 7 fps
• 9-point AF system
• Fixed LCD (maybe tiltable)
• New user interface
• (Minor) improvements to the EOS 7D video capture mode, already in 1080p (FullHD)

But this is still to be confirmed and stays quite imprecise.

Curiously, since the Canon EOS 60D is still a very active hypothesis despite the lack of serious confirmation from the manufacturer, the replacement of the Canon EOS 1000D is not attracting a lot of credible leaks (despite some isolated DIY rumours, here and there). However, there is a very good chance that Canon will offer a new solution in the lower price range (Canon EOS 2000D) to counter-act the ever-more-present competition in the “less than 500€” market which is starting to be very active (Just look at the launch of the Sony Alpha 290 or the price reductions of the Pentax K-x, not even counting the strong offers from Olympus or Samsung). The photo sensor will have to leave the dusty floor of 10 MP, probably to re-use some of the already existing technology of its bigger brothers, but without reaching the expensive 18 MP level (15 MP would be perfect). The only really important issue will be to ensure very low manufacturing costs while staying in the race and it is difficult to precisely forecast the corners that the engineers will have to cut short; However, the higher the resolution, the more expensive the components (and not only the sensor itself).

Additionally, CR speaks more about new lenses for the end of August (in preparation of the Photokina show): EF 60 f/2.8 IS Macro, and EF 24-70 f/2.8L IS.

So, not many fixed certainties, but it is very probable that Canon will make the landscape clear at the end of August to prepare the Photokina 2010 Fair, either with a Canon EOS 60D, or a Canon EOS 2000D, or both.

I found a very good and very detailed field test of the Canon EOS 7D.

Since it is not often that you will find such an in-depth analysis by a pro-photographer (Nature Photographer Ole Jørgen Liodden from Norway) ready to disclose so much information, I wanted to share it with you.

• Weather sealing
• In the Cold of Winter
• Autofocus
• Image Quality

Long, but recommended reading for anybody willing to check the Canon EOS 7D.

Note: After switching from Canon to Nikon, Ole had some hesitations about keeping all the information of this field test available on his wbe site, but this is solved now and we can expect that to stay for a long time, for all Canon lovers to find.

• Sony Alpha series (A380, A330 & A230): Mac, Windows (Sony Europe)
• Canon EOS 7D v1.1.0 (to correct an issue where a previous image may partly superimpose itself on the next, in continuous shooting): Instructions and download link